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We also ask that you: Make non-commercial use of the files We designed Google Book Search for use by individuals, and we request that you use these files for personal, non-commercial purposes. In it the * Three Marys ' come to buy their ^ spices and ointments.' Ruben, the Mastickar's apprentice, assumes that they want the perfumes as cosmetics ; for the sublime and the ridiculous had not even a step between them, but went arm in arm, in those simple days.

Refrain fivm automated querying Do not send automated queries of any sort to Google's system: If you are conducting research on machine translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. Thus, then, we have followed the development of the national drama among all the leading states of Europe down to the seventeenth century.

A wooden staircase was constructed in place of the ladder bj means of which it had been formerly reached. First, in the process of aevelopment, the dramatic part was * * Les foules y vont en chantant et en reviennent en pleurant.' — Royer, i. The French Trouv Sres of the thirteenth century not only dropped Latin and adopted the vulgar tongue, but, while re- taining something of a religious tinge, drew plots from existing social relations.

The place was hastily cleaned; its rough walls were clothed with some rich armorially 54 The Life of Don John of Austricu Svlj, emblazoned hangings, and damaflk curtains were placed over the holea^ which served as windows. A church choir or a company of friars were the first performers. Lastly^ municipal rivals arise to the religious fraternities which had had the monopoly before, and scaffoldings were erected in the towns..

Reports published by the Council of the Church and Stage Guild, London, 1980, 1881, and Papers read before the Guild h\ w^ Stewart D. ' During the intervals between his attacks Don John continued hia usual correspondence. All are in Latin, marvellously pure for the period, without a trace of the base monastic idioms current among the * religious ' in the time of Otho the Great Each piece is a single act, comprising sometimes as many as fourteen scenes.

The doctors thought ill of the old soldier's chances of recovery, but for the young general they did not at first feel any apprehension. It boasts, however, the dramatic * Dialogues ' of the nun Hrostwitha, supposed to have been written by her at the a^e of twenty years in the Saxon convent of Gandersheim, about 950 A. There are six of these preserved, all teaching the lesson on which the elder brother dilates in Milton's * Comus ' — * 'Tis chastity, my brother, chastity.' The characters are wholly taken from the legends of saints, but the situations and speeches are worked up from the ima^- nation of the writer.

Whether a book is in the public domain may vary country to country. allet, however, did not run itself quite free of dialogue and song, and become a mutely mimetic d! The Slavonic drama has its earliest national title-deeds ' a Tcheck MS.

Public domain books are our gateways to the past, representing a wealth of history, culture and knowledge that's often difficult to discover. ascribed to the latter part of the thirtee 68 The Ancient, Medic Rval, and Modern Stage.

Nevertheless, this work is expensive, so in order to keep providing tliis resource, we liave taken steps to prevent abuse by commercial parties, including placing technical restrictions on automated querying. He notes that the Churches of Dalmatia, Croatia, Bohemia, and Poland paid religious allegiance to Rome and the West, Russia and Bulgaria to Greece and the East, and that their dramatic impress followed that allegiance. contains is entitled ' Mastickar,' and means properly a seller of drugs, from the well-known * mastick,' but is nearly equivalent in use to the French ^ Charlatan.' This piece was f)robably a part only of a Passion-mystery, which formed a arger whole.

He thought the change of air might do him good ; and, besides, at the camp he was nearer his works and his daily duty. So far from degrading attributes clothing the stage, the choregus and protagonist found in it a patent of nobility, and its humblest accessory became the acolyte of a cultured mys- tery, the trainbearer of * gorgeous Tragedy in sceptred pall,' and basked in the halo of her splendour.

His last illness was reckoned by those about him to have commenced on September 17. Even criticism felt the nobility of its mission to applaud the worthiest, not to expose the feeblest ; and the critic was present to gather honey and not to sting.

— ^EQstoire du droit et des institutions politiques, civiles et judiciaires de I'Angleterre, compares au droit et aux institutions de la France depuis leur origine jusqu'^ nos jours. His an-ival, very unexpected, had not been pre- pared for. The only state of public feeling comparable to it in later times was that of the vast concourses met in the fervour of faith to celebrate some medis Bval Passion-mystery, whence crowds who came in singing would return in tears.* For the development of the modem European drama has its point of departure everywhere in the Church.

So great was his weakness tiiat he was carried up the hill from Namur on a camp-bed borne on men's shoulders. To such a pile of human sympathies as the world had never seen before, includ- ing patriotic fervour, religious rapture, exuberant jocosity, and frolic ecstasy, the altar of Dionysus supplied the torch ; and the whole of living Athens became a conflagration of en- thusiasm with which no modem audience of playgoers, each anxious for his half-guinea's worth or half-crown's worth, can ever hope to compete.

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